Born 21 May, third child of goldsmith, Albrecht Dürer the elder, and Barbara Dürer née Holper. Dürer's father had come from Hungary (Ajtos) to settle in Nuremberg. Dürer's godfather was the printer and publisher Anton Koberger.
1477
Until about 1483 attended public "Latin School".
1484
First surviving work, a self portrait (silver pencil drawing, Vienna, Albertina).
1485
Apprenticeship as goldsmith in his father's workshop.
1486
November 30, start of apprenticeship in the painting workshop of Michael Wolgemut (until 1489).
Portrait of his father, 1490 (Florence, Uffici).
1490
After Easter, start of journeys. First surviving painting: portrait of his father (Florence, Uffici).
1492
Journeyman in Basle. Woodcut illustrations for Sebastian Brant's "Ship of Fools".
1493
First painted self portrait (Paris, Louvre).
1494
Return from journeys. On July 7, marriage to Agnes Frey, a coppersmith's daughter (Agnes died in 1539 after a childless marriage). In autumn, start of the first journey to Italy.
1495
Stay in Venice. Return to Nuremberg, landscape water colours from Southern Tyrol.
1496
First commissions from Elector Frederick the Wise of Saxony.
1497
Erection of own first printing press in his father's house "Unter der Vesten " (Below the Castle). Recruiting of agents for the sale of his printed graphic works. Dürer used the famous AD signature for the first time.
The Four Horsemen of the Apocalypse, 1497-98 (Staatliche Kunsthalle, Karlsruhe).
1498
Dürer was awarded citizenship of the City of Nuremberg. The series of woodcuts on the "Apocalypse" made Dürer famous.
1500
Start of theoretical work on the theory of proportions, self-portrait in fur jacket (Munich, Pinakothek).
1502
September 20, father's death. Work on the series "Life of the Virgin". Famous water colour of "Field Hare" (Vienna, Albertina).
1504
Completion of "Paumgartner Altar" (Munich, Pinakothek). Copperplate engraving of "Adam and Eve".
1505
Late summer: start of second Italian journey.
1506
Stay in Venice, short stays in Bologna, Ferrara and Perugia, maybe even in Rome. Painting of the "Feast of the Rosary" (Prague, National Gallery).
1507
Return journey to Nuremberg. Painting of "Adam and Eve" (Madrid, Prado). Start of work on copperplate engravings of the Passion (until 1512).
Martyrdom of Ten Thousand Christians, 1507 (Vienna, Kunsthistorisches Museum).
1508
Design for the painting of "All Saints". Main work on the "Heller Altar" (destroyed). Delivery of the "Martyrdom of Ten Thousand Christians" to Frederick the Wise (Vienna, Kunsthistorisches Museum).
1509
Start of work on the woodcut edition of the "Large Passion" (until 1511). Purchase of the house on Tiergärtnertor (so-called Dürer-Haus). Member of the Greater Council of his hometown of Nuremberg.
1510
Preliminary work on the Emperor Paintings for the chamber containing the ensigns of the Holy Roman Empire of the German Nation. Completion of "All Saints painting" (Vienna, Kunsthistorisches Museum).
1512
Start of work for Emperor Maximilian I. Purchase of a garden outside the Tiergärtnertor.
1513
Paintings of Charlemagne and Emperor Sigismund put up in the chamber containing the ensigns of the Holy Roman Empire of the German Nation (Nuremberg, Germanisches Nationalmuseum).
Portrait of his mother, 1514(Berlin, Kupferstichkabinett).
1514
Charcoal drawing of his sick mother (Berlin, Kupferstichkabinett) who died on May 16. Completion of the three major engravings: "Knight, Death and Devil", "St. Jerome in the Cell", and "Melencolia I".
1515
Completion of marginal drawings for the prayer book of Emperor Maximilian I, woodcuts for the Triumphal Arch and the Emperor's Triumphal Chariot. Dürer is rewarded with an annuity of one hundred guilders.
1516
Portrait of his teacher Wolgemut in his old age (Nuremberg, Germanisches Nationalmuseum).
1517
Guest of Bishop Georg III of Limburg and Bamberg.
1518
Emperor Maximilian I portrayed by Dürer during the Imperial Diet in Augsburg. Experiments with etching techniques: ironplate etching "The Big Canon".
Portrait of Emperor Maximilian I (Vienna, Kunsthistorisches Museum).
1519
Various painted versions of the portrait of Emperor Maximilian I who died that year (Vienna and Nuremberg). Visit to Switzerland with his friend, the imperial councillor and humanist, Willibald Pirckheimer.
1520
July 12, start of journey to the Netherlands, accompanied by his wife Agnes and their maid Susanne, to take part in the crowning of Emperor Charles V in Aachen. Meeting with Erasmus of Rotterdam.
1521
Return to Nuremberg. Supervision of the redecoration of the Great Council Chamber in Nuremberg City Hall. Sketches for a large painting of Mary (not executed).
1524
Portrait etchings of Pirckheimer and Frederick the Wise. Start of writing of family chronicle.
1525
Dürer's first book, the "Teaching of Measurement" was printed. Recording of a dream vision (Vienna, Kunsthistorisches Museum).
Albrecht Dürer's grave.
1526
Gift of the paintings of the "Four Apostles" to the City of Nuremberg (Munich, Pinakothek). Portraits of Hieronymus Holzschuher and of Jakob Muffel (both Berlin).
1527
First edition of the "Treatise on Military Fortifications", later in 1528 of "Four Books on Human Proportions" (posthumous).
1528
April 6, Dürer's death. Buried in his parent-in-law's grave on Johannisfriedhof, Nuremberg (St. John's Graveyard).